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At the time Ringling Bros. These "freaks" were often well paid and lived their retirement years very comfortably, especially those lauded as the most unusual such as conjoined twins, human torsos, and giantesses.

In the film many of the most famous and well paid freaks in the country were cast, including Prince Randanian, and the Doll Family, including Dolly and Harry Earles as the couple torn apart by Cleopatra's obnoxious money hungry plot with strongman Hercules.

The main focus of the film is that the freaks are regarded as trifle oddities and not true people by the villainous Cleopatra, and she is hunted down and paid for the crimes she commits against a dwarf who looks eerily like a small boy but is actually a full grown man.

The film itself is very progressive in showing these sideshow performers not just as regular people, but also showing the hurt inflicted by those with little thought for others' feelings in a time without political correctness.

It was interesting to watch the many feats of the performing freaks, those afflicted with problematic birth defects, and the now defunct lives of freak show performers, today not prevalent in society because most states ban freak shows from operating.

The film doesn't build successfully to the final hideous climax at the end, because the rest of the film focuses on the characters as people and not monsters.

None of them seem able to do the deed attributed to Cleopatra's downfall and therefore it's an unbelievable premise. Their creepy chanting at the wedding banquet and the steely resolve in their eyes as the thunder rips across the sky is believable but doesn't make sense, and deserved some of that iconic chanting.

The beginning half of the film is unusually trimmed in humor, and includes a love story between an aerialist and a clown. The ending isn't even very horrific, but instead comical, and the additional prologue they tacked on was more confusing than anything.

Even the beginning spiel that introduces the film is morose and certainly insulting to the performers. Iconic and interesting, but not the horror classic I was expecting.

This is a very cool movie. It has real people from circuses and a great story. The mixture of authenticity and a fantastic story makes for such a great movie.

A very odd film that forces everyone who sees it to confront their prejudices. More Top Movies Trailers. The Crimes of Grindelwald First Reviews: Less Magical than the First.

Post Share on Facebook. View All Photos 5. Movie Info Real sideshow performers star in Tod Browning's infamous cult classic, a grotesque revenge drama set against a circus backdrop.

Trapeze artist Cleopatra plans to wed and then murder midget Hans for his fortune, but when his fellow 'freaks' discover her scheme, she becomes the target of their horrifying vengeance.

Harry Earles as Hans. Olga Baclanova as Cleopatra. Wallace Ford as Phroso. Leila Hyams as Venus. Roscoe Ates as Roscoe. Henry Victor as Hercules.

Daisy Earles as Frieda. Rose Dione as Madame Tetrallini. Daisy Hilton as Siamese Twin. Violet Hilton as Siamese Twin.

Matt McHugh as Rollo Brother. Olga Roderick as Bearded Lady. Prince Randian as Hindu Living Torso. Frank O'Connor as Herself.

Elvira Snow as Pinhead. Jennie Lee Snow as Pinhead. Pete Robinson as Living Skeleton. Koo Koo as Bird Girl. Peter Robinson as Human Skeleton.

Martha Morris as Armless Wonder. Angelo Rossitto as Angeleno. Elizabeth Green as Stork Woman. Albert Conti as Monsieur Duval, the Landowner.

Michael Visaroff as Jean the Caretaker. Murray Kinnell as Sideshow Barker. Adams as Sideshow Patron. Brophy as Rollo Brother.

Louise Beavers as Maid. Sep 28, Full Review…. Jun 8, Rating: Mar 26, Full Review…. What makes this homecoming fun is [Tom] Holland, who seems as excited about Spider-Man as his classmates even though he is Spider-Man.

Homecoming" is to be judged solely on its ability to unite a diverse audience behind a fun motion picture, it seems to have succeeded wildly.

A strangely oblivious film, one that undercuts its story with exactly the sort of praise-hungriness that its hero learns to overcome.

A film that smuggles in a delightfully dorky high school saga under the banner of a too familiar superhero one.

This is the Spidey movie we've been waiting for. It's also the best Spider-Man movie of the bunch. An utter gas, a fast and very funny superflick that inserts Spidey into the larger Marvel Cinematic Universe without ever losing sight of what makes him unique and beloved.

The choice to make such a different story was a bold one, and it made for an exciting and fun film that has plenty of callbacks to Spidey's villains and the MCU while also feeling new and intriguing.

Marvel actually made Sony release a whole movie about the hero of their "their" superhero franchise begging Robert Downey Jr.

Once the story is allowed to relax into itself by about the minute mark, it's a funny and entertaining adventure with some good, but not overegged action sequences.

Lacking a bit of an emotional component present in some past Spider-Man movies, but makes up for it with sheer fun and entertainment value.

Jon Watts' vision doesn't top Sam Raimi's nor does his breezy fun times take on the character offer much in the way of substance.

This is without a doubt an amazing return for our legendary web-head, leaving great scope for an even greater future. Holy spandex we're back with another Spider-Man movie.

The Raimi movies came to a grinding halt after a well rounded start, and the Marc Webb movies hehe Webb never really got off the ground.

So Marvel stepped in and secured a deal with Sony to gain back the rights of Spidey, sort of. We were then presented with yet another Spider-Man reboot but this time under the guidance of Marvel along with Columbia, Amy Pascal and Sony.

The plot pretty much does exactly what anyone would expect it to do really. The only difference being this time they have skipped the whole origins part of the tale.

We jump straight into the story with Parker already established as Spider-Man something everyone knows because it follows on from 'Captain America: But bottom line, Toomes is trying to scavenge Chitauri technology from 'The Avengers' so he can build and sell advanced weapons.

Toomes is essentially an arms dealer and Parker must stop him, the end. So initially we are introduced to Toomes Michael Keaton and his men as they salvage Chituari technology.

They are stopped and ordered to cease their work at once by the Department of Damage Control a partnership of Tony Stark and the US government.

This pisses off Toomes and he asks his men to stay with him so he can build a powerful suit Firstly this entails a large operation which I'm not too sure how Toomes manages to keep under wraps.

Secondly, why would his men stick by his side knowing they are doing illegal shit? OK they need work, but illegal work? And they help Toomes build his all powerful Vulture suit Surely alarm bells should be ringing with these blue collar guys by now.

From here its back to school with Parker Tom Holland and his amazing bunch of diverse friends. Nothing wrong with that but it always tends to come across as a little too on the nose; a little bit too perfect looking.

But anyway in this movie we have a young girl called Zendaya playing a spunky character called MJ who isn't the classic MJ we all know of.

Yes for some reason the powers that be thought it would be cool to play with everyone's mind by making us think they race swapped MJ.

But then they went and race swapped Flash Thompson for real so Of course to blend in with present society this MJ is a kind of weird emo SJW type who refuses to go up the Washington Monument on a school field trip because she claims it was built by slaves Thing is no one actually knows for sure if said monument was constructed by slaves, so this line comes across sounding very smug and stupid.

The idea of updating Flash to a more nerdy looking, book smart, spoilt, wealthy rich kid was a nice idea but ultimately it just didn't work. Flash needs to have a bigger frame than Parker for this confrontation to work, visually at least.

Although Tony Revolori did a fine job he just didn't come across as threatening in any way and the whole idea just fell flat.

I realise they went for a more fun jokey angle but it just didn't work, for me anyway. I mean they could of at least cast a bigger person surely.

Then again we have another character with the same name as the original comicbook character Ned but we aren't sure yet if its the same person.

But seeing as this movies Ned is played by a rather large chap Jacob Batalon , and in the comics Ned becomes the Hobgoblin, I'd say it isn't the same guy.

Liz Allan, Parker's love interest has also been race swapped, oh and they also race swap Shocker within the movie for good measure.

Yes I'd say so, but mainly because he is just about the correct age, and looks it. This time they have successfully captured the light-hearted, youthful, bubbly, optimistic side of Spider-Man; heck you could almost see speech bubbles popping up over his head every time he spoke.

So yes overall Holland has the youthful looks, he genuinely looks fit and athletic not overloaded with muscles , and his acting chops fit the bill perfectly.

Drop all that gadgetry and we're good. But lets cut to the chase here, there was only one stand out element in this movie and that was Michael Keaton as Toomes.

I'm gonna be brutally frank here, most of this movie was a wash, rinse and repeat scenario in my opinion.

Yes Holland is the perfect Spidey and yes the visual are of course good. But the main action sequences were the same shit we've all seen before.

Hero saves his friends from disaster. Hero saves a load of people from a big disaster, in this case stopping a ferry from splitting in two which was basically ridiculous in so many ways.

Hero faces off against guy in super suit. Hero saves the day with more carnage at the end Usual Marvel hero quips throughout and Happy Hogan was an annoying asshole.

This movie was all about Keaton and his creepy yet grounded performance as the Vulture. Yeah OK the Vulture is essentially Doc Ock in this movie, its the same basic thing just replace tentacles with wings.

But by Jove does Keaton nail this roll, its like he was born for comicbook roles. He goes from an average blue collar boss to a somewhat maniacal villain, and then to a loving father and family man, all in one fell swoop no pun intended.

The fact that Toomes own daughter starts dating Parker is obviously the highlight of the plot. The sequence where Toomes sniffs Parker out whilst driving him and Liz to their school prom was crackling.

In fact this was probably the best sequence in the movie, although I found it odd that Toomes recognises that Parker saved his daughters life and vows to never forget that.

Yet he then proceeds to threaten to kill Parker if he messes with his plans further.

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